I like Ultraviolence a lot. But it's not irresistible to me the way Born To Die was. The production on her new album just feels washy and forgettable. More ambient, earthy and real as opposed to crisp, in-your-face, modern, and dramatic like the album that made her famous. More to the point, it's tasteful and safe, and void of the dramatic and campy elements that made the old songs soar. Why did the critics unanimously

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